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Make a Formant Filter
Formant filters (loosely) simulate the characteristics of the human voice. When a formant filter is set to the letter “E,” for example, it emphasizes the frequencies contained in the “E” sound...
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Track Maps
One of the best ways to learn about arranging tracks is to analyze other artists’. Pick one of your favourite tracks, then listen closely to it, noting how and when each element enters and leaves the arrangement.
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Using the Ableton Chord Plug-in
Ableton’s Chord MIDI effect automatically creates a chord from a single MIDI note. The Chord plug-in is really only useful in conjunction with the Scale plug-in, so start by dropping a Scale effect before the synth.
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Using the Ableton Chord Plug-in
Ableton’s Chord MIDI effect automatically creates a chord from a single MIDI note. The Chord plug-in is really only useful in conjunction with the Scale plug-in, so start by dropping a Scale effect before the synth.
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Reverse Snares
Load a snare sample into Drum Rack. Load another copy of the same sample onto an empty audio channel. Double-click the sample on the audio channel, then click the “Rev.” button. Ableton will reverse the sample. The reversed sample is an irregular length, which is going to make it hard to use in a MIDI loop. To fix this, click the “Warp” button to warp the clip, then drag the trim…
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Mixing the Bass and Kick
Because the bassline and the kick drum are the two lowest-frequency elements of your track, they’ll often end up occupying the same space...
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Using Triplets in Beats
The elements of electronic music are generally divisible by four: four kicks per bar, eight bars per loop, sixteen notes in a melody. To add interest to your beats, break up the 4/4 using triplet drums. A triplet jams three notes into a space that should only be occupied by two.
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Audio Effects 101: Time-based FX
Time-altering audio effects like reverbs, delays and choruses all function in essentially the same way: they capture a portion of an input sound, delay it slightly, then play it back.
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Make a Synth from a Sample
All sounds, synthesized or natural, are made up of waves. Most synthesizers produce simple, pure waveforms, while naturally occurring sounds are much messier — and more interesting.
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