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Vinyl-ize Your Track
Incorporating the crackles and hiss from a vinyl record into your digital production adds a subtle layer of dusty soul to your track.
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Make a Drum & Bass Beat
Set Ableton’s tempo to around 175 bpm. Open Drum Rack and load up a kick and snare. Create a new MIDI clip, then put the kick on 1 and 1.3.3. Put a snare on 1.2 and 1.4. This rhythm is the basis of the drum ‘n’ bass beat. Load up three hi-hat samples: one short closed hi-hat and two longer open hi-hats.
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Make a Synth from a Sample
All sounds, synthesized or natural, are made up of waves. Most synthesizers produce simple, pure waveforms, while naturally occurring sounds are much messier — and more interesting.
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Doubling Vocals
Doubling vocals makes them sound bigger and fuller in the mix. A vocal doubler plug-in creates two (or more) copies of the vocal, pans them to the left and right, then adds a slightly different delay...
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Make a Moombahton Beat
Programming a moombahton drum pattern in Ableton Live is somewhat similar to making a house beat — but with some significant differences. To create its swinging, funky vibe, moombahton uses more syncopated and off-beat percussion than house usually does.
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How to Make Sub-Kicks
If the kick sample you’re using isn’t beefy enough, layer it with a low-pitched synthesized sub-kick. The sub-kick adds bass without overly changing the tonal character of the kick.
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How to Synthesize Drums
Samples make creating beats quick and easy, but knowing how to synthesize your own kicks, snares and hi-hats will give you a better understanding of how drum sounds work. Start up Ableton’s Operator synth, then create a new MIDI clip. Add a note on each quarter beat. It doesn’t matter which note you use: you’ll be setting the pitch using the synthesizer itself.
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Synchronize a Sidechained Compressor to the Beat
Sidechained compression is an ubiquitous sound in dance music. Its pumping sound brings a shot of energy to basslines, pads, lead synths, vocals: nearly any element of an EDM track.
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Build a Bass Mono/Stereo Rack in Ableton
Generally speaking, the bass channel in a track should be in mono: most subwoofers (not to mention club soundsystems) play a mono signal much better than a stereo one.
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