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Snare Rolls

It’s been around forever, but the snare roll is still a dancefloor-devastating way to lead out of the breakdown and back into the beat. If your snare roll sounds too robotic and programmed, use MIDI velocity control to make it sound more natural. Program in a basic snare roll (four eighth notes, followed by four sixteenth notes, then eight 32nd notes).

Make a Formant Filter

Formant filters (loosely) simulate the characteristics of the human voice. When a formant filter is set to the letter “E,” for example, it emphasizes the frequencies contained in the “E” sound...

Doubling Vocals

Doubling vocals makes them sound bigger and fuller in the mix. A vocal doubler plug-in creates two (or more) copies of the vocal, pans them to the left and right, then adds a slightly different delay...

Using Triplets in Beats

The elements of electronic music are generally divisible by four: four kicks per bar, eight bars per loop, sixteen notes in a melody. To add interest to your beats, break up the 4/4 using triplet drums. A triplet jams three notes into a space that should only be occupied by two.

Extreme Sample Stretching

Stretching out audio can do magical things to it: hidden melodies appear, transients crumble into blurs, and tiny blips of sound turn into rich soundscapes.

Tune Synths to A432 in Ableton

The idea that the note A3 should correspond to the frequency 440 Hz is a fairly recent one; although A440?s been in use since the 19th century, it’s only since the 1950s that it’s been accepted as the standard tuning.

How to Make Sub-Kicks

If the kick sample you’re using isn’t beefy enough, layer it with a low-pitched synthesized sub-kick. The sub-kick adds bass without overly changing the tonal character of the kick.

Using Drum Loops

Adding a drum loop on top of a programmed MIDI beat is a quick way to give it a more fluid, natural sound. Think of the MIDI clip as the base of the beat, and the loop as the ornamentation. Unfortunately, Drum Rack and Impulse can’t warp samples, so unless the loop that you’re using was recorded at the same tempo as the track you’re making (and is perfectly in time), you’ll need to add it to a separate audio track.

Make a Synth from a Sample

All sounds, synthesized or natural, are made up of waves. Most synthesizers produce simple, pure waveforms, while naturally occurring sounds are much messier — and more interesting.

Track Maps

One of the best ways to learn about arranging tracks is to analyze other artists’. Pick one of your favourite tracks, then listen closely to it, noting how and when each element enters and leaves the arrangement.