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Using Pitch Bend
Pitch bending smoothly lowers or raises the pitch of a note according to a defined envelope. You can quickly access a MIDI clip’s pitch bend envelope in Ableton...
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Mixing the Bass and Kick
Because the bassline and the kick drum are the two lowest-frequency elements of your track, they’ll often end up occupying the same space...
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Make a Track from Found Sounds
Prepackaged sample packs are great tools, but unless you alter the samples extensively, they can make your tracks sound cookie-cutter and samey. Recording your own sample packs gives your production a unique sound;
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How to Synthesize Risers
Whooshing risers act as punctuation within a track, signifying the end of one section and the beginning of the next. The simplest kind of riser is just a white-noise generator run through an automated filter.
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Doubling Vocals
Doubling vocals makes them sound bigger and fuller in the mix. A vocal doubler plug-in creates two (or more) copies of the vocal, pans them to the left and right, then adds a slightly different delay...
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How to Create a Multi-Sample in Ableton Sampler
Ableton’s Sampler plug-in is a powerful audio manipulation tool that lets you transform raw audio samples into a playable instrument.
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Adding Movement to Pads
Pads are simple, drawn-out synths that sit in the background of a track. Because they’re background instruments, pads are usually fairly uncomplicated, so as not to distract from the rest of the track.
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Build a Bass Mono/Stereo Rack in Ableton
Generally speaking, the bass channel in a track should be in mono: most subwoofers (not to mention club soundsystems) play a mono signal much better than a stereo one.
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Make a Drum & Bass Beat
Set Ableton’s tempo to around 175 bpm. Open Drum Rack and load up a kick and snare. Create a new MIDI clip, then put the kick on 1 and 1.3.3. Put a snare on 1.2 and 1.4. This rhythm is the basis of the drum ‘n’ bass beat. Load up three hi-hat samples: one short closed hi-hat and two longer open hi-hats.
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Snare Rolls
It’s been around forever, but the snare roll is still a dancefloor-devastating way to lead out of the breakdown and back into the beat. If your snare roll sounds too robotic and programmed, use MIDI velocity control to make it sound more natural. Program in a basic snare roll (four eighth notes, followed by four sixteenth notes, then eight 32nd notes).
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