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Tips for Using Reverb

A reverb effect creates a complex series of echoes from a source sound. Reverb usually simulates a certain listening environment like a jazz club or a concert hall; used heavily and creatively, it can also warp a source sound until it’s unrecognizable.

Build a Bass Mono/Stereo Rack in Ableton

Generally speaking, the bass channel in a track should be in mono: most subwoofers (not to mention club soundsystems) play a mono signal much better than a stereo one.

Using the Ableton Scale Plug-In

A musical key defines the relationship of the notes in a song. Without going into too much music theory, keeping the different elements of a track in the same key is essential to making them fit together musically.

Synchronize a Sidechained Compressor to the Beat

Sidechained compression is an ubiquitous sound in dance music. Its pumping sound brings a shot of energy to basslines, pads, lead synths, vocals: nearly any element of an EDM track.

Reverse Snares

Load a snare sample into Drum Rack. Load another copy of the same sample onto an empty audio channel. Double-click the sample on the audio channel, then click the “Rev.” button. Ableton will reverse the sample. The reversed sample is an irregular length, which is going to make it hard to use in a MIDI loop. To fix this, click the “Warp” button to warp the clip, then drag the trim…

Make a Revving Bassline in Massive

Tune Synths to A432 in Ableton

The idea that the note A3 should correspond to the frequency 440 Hz is a fairly recent one; although A440?s been in use since the 19th century, it’s only since the 1950s that it’s been accepted as the standard tuning.

Make a Wobble Bass

Synchronize a Sidechained Compressor to the Beat

Sidechained compression is an ubiquitous sound in dance music. Its pumping sound brings a shot of energy to basslines, pads, lead synths, vocals: nearly any element of an EDM track.

Make a Drum & Bass Beat

Set Ableton’s tempo to around 175 bpm. Open Drum Rack and load up a kick and snare. Create a new MIDI clip, then put the kick on 1 and 1.3.3. Put a snare on 1.2 and 1.4. This rhythm is the basis of the drum ‘n’ bass beat. Load up three hi-hat samples: one short closed hi-hat and two longer open hi-hats.