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Doubling Drums
Using two copies of the same drum sample in a beat makes the drums sound bigger and fuller. Load up a kick, snare and hi-hat into Ableton’s Drum Rack, then open the Rack’s “Chains” section. Right-click the snare drum in the list of chains and select “Duplicate.” Do the same for the hi-hat.
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Using Drum Loops
Adding a drum loop on top of a programmed MIDI beat is a quick way to give it a more fluid, natural sound. Think of the MIDI clip as the base of the beat, and the loop as the ornamentation. Unfortunately, Drum Rack and Impulse can’t warp samples, so unless the loop that you’re using was recorded at the same tempo as the track you’re making (and is perfectly in time), you’ll need to add it to a separate audio track.
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How to Make Sub-Kicks
If the kick sample you’re using isn’t beefy enough, layer it with a low-pitched synthesized sub-kick. The sub-kick adds bass without overly changing the tonal character of the kick.
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Doubling Vocals
Doubling vocals makes them sound bigger and fuller in the mix. A vocal doubler plug-in creates two (or more) copies of the vocal, pans them to the left and right, then adds a slightly different delay...
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Frequency Splitting with Effects
Frequency splitting divides a sound’s frequency spectrum into sections, allowing you to alter one section of the spectrum without changing the rest.
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Vinyl-ize Your Track
Incorporating the crackles and hiss from a vinyl record into your digital production adds a subtle layer of dusty soul to your track.
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Extreme Sample Stretching
Stretching out audio can do magical things to it: hidden melodies appear, transients crumble into blurs, and tiny blips of sound turn into rich soundscapes.
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Using Triplets in Beats
The elements of electronic music are generally divisible by four: four kicks per bar, eight bars per loop, sixteen notes in a melody. To add interest to your beats, break up the 4/4 using triplet drums. A triplet jams three notes into a space that should only be occupied by two.
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How to Make Sub-Kicks
If the kick sample you’re using isn’t beefy enough, layer it with a low-pitched synthesized sub-kick. The sub-kick adds bass without overly changing the tonal character of the kick.
Read More
