• Make a Drum & Bass Beat

    Set Ableton’s tempo to around 175 bpm. Open Drum Rack and load up a kick and snare. Create a new MIDI clip, then put the kick on 1 and 1.3.3. Put a snare on 1.2 and 1.4. This rhythm is the basis of the drum ‘n’ bass beat. Load up three hi-hat samples: one short closed hi-hat and two longer open hi-hats.

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  • How to Make Sub-Kicks

    If the kick sample you’re using isn’t beefy enough, layer it with a low-pitched synthesized sub-kick. The sub-kick adds bass without overly changing the tonal character of the kick.

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  • Smoother Chord Progressions

    When a group of instruments — like a string section — plays together, each instrument starts and stops each note at a slightly different time. Digitally programmed instruments, on the other hand, will start and stop exactly where they’re told to.

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  • Synchronize a Sidechained Compressor to the Beat

    Sidechained compression is an ubiquitous sound in dance music. Its pumping sound brings a shot of energy to basslines, pads, lead synths, vocals: nearly any element of an EDM track.

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  • Adding Movement to Pads

    Pads are simple, drawn-out synths that sit in the background of a track. Because they’re background instruments, pads are usually fairly uncomplicated, so as not to distract from the rest of the track.

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  • Doubling Drums

    Using two copies of the same drum sample in a beat makes the drums sound bigger and fuller. Load up a kick, snare and hi-hat into Ableton’s Drum Rack, then open the Rack’s “Chains” section. Right-click the snare drum in the list of chains and select “Duplicate.” Do the same for the hi-hat.

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  • Using Pitch Bend

    Pitch bending smoothly lowers or raises the pitch of a note according to a defined envelope. You can quickly access a MIDI clip’s pitch bend envelope in Ableton...

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  • Make a Formant Filter

    Formant filters (loosely) simulate the characteristics of the human voice. When a formant filter is set to the letter “E,” for example, it emphasizes the frequencies contained in the “E” sound...

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  • Mixing the Bass and Kick

    Because the bassline and the kick drum are the two lowest-frequency elements of your track, they’ll often end up occupying the same space...

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  • Track Maps

    One of the best ways to learn about arranging tracks is to analyze other artists’. Pick one of your favourite tracks, then listen closely to it, noting how and when each element enters and leaves the arrangement.

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