• Synchronize a Sidechained Compressor to the Beat

    Sidechained compression is an ubiquitous sound in dance music. Its pumping sound brings a shot of energy to basslines, pads, lead synths, vocals: nearly any element of an EDM track.

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  • Make a Synth from a Sample

    All sounds, synthesized or natural, are made up of waves. Most synthesizers produce simple, pure waveforms, while naturally occurring sounds are much messier — and more interesting.

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  • Using the Ableton Scale Plug-In

    A musical key defines the relationship of the notes in a song. Without going into too much music theory, keeping the different elements of a track in the same key is essential to making them fit together musically.

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  • Reverse Snares

    Load a snare sample into Drum Rack. Load another copy of the same sample onto an empty audio channel. Double-click the sample on the audio channel, then click the “Rev.” button. Ableton will reverse the sample. The reversed sample is an irregular length, which is going to make it hard to use in a MIDI loop. To fix this, click the “Warp” button to warp the clip, then drag the trim…

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  • 3-D Mixing

    To prevent sonic conflict, each element in your track needs its own space in the mix. To help you put each element in its own space, think of the mix as if it were filling a room...

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  • Arranging Dance Music

    A dance track usually has a looser structure than a hip-hop or pop song — but it does have a structure. Following a structure when you’re arranging your track makes it more DJ-friendly — and therefore more likely to get played out in a club.

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  • Mixing the Bass and Kick

    Because the bassline and the kick drum are the two lowest-frequency elements of your track, they’ll often end up occupying the same space...

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  • Make a Moombahton Beat

    Programming a moombahton drum pattern in Ableton Live is somewhat similar to making a house beat — but with some significant differences. To create its swinging, funky vibe, moombahton uses more syncopated and off-beat percussion than house usually does.

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  • Using Triplets in Beats

    The elements of electronic music are generally divisible by four: four kicks per bar, eight bars per loop, sixteen notes in a melody. To add interest to your beats, break up the 4/4 using triplet drums. A triplet jams three notes into a space that should only be occupied by two.

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  • Track Maps

    One of the best ways to learn about arranging tracks is to analyze other artists’. Pick one of your favourite tracks, then listen closely to it, noting how and when each element enters and leaves the arrangement.

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