• Audio Effects 101: Time-based FX

    Time-altering audio effects like reverbs, delays and choruses all function in essentially the same way: they capture a portion of an input sound, delay it slightly, then play it back.

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  • Make a Moombahton Beat

    Programming a moombahton drum pattern in Ableton Live is somewhat similar to making a house beat — but with some significant differences. To create its swinging, funky vibe, moombahton uses more syncopated and off-beat percussion than house usually does.

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  • How to Make a Trance Gate Effect

    Add the sound that you want to gate (either a piece of recorded audio or a synth plug-in) to a new channel in Ableton. Create a new MIDI channel, then add the Impulse drum machine to this new channel....

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  • Snare Rolls

    It’s been around forever, but the snare roll is still a dancefloor-devastating way to lead out of the breakdown and back into the beat. If your snare roll sounds too robotic and programmed, use MIDI velocity control to make it sound more natural. Program in a basic snare roll (four eighth notes, followed by four sixteenth notes, then eight 32nd notes).

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  • Arranging Dance Music

    A dance track usually has a looser structure than a hip-hop or pop song — but it does have a structure. Following a structure when you’re arranging your track makes it more DJ-friendly — and therefore more likely to get played out in a club.

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  • Using Drum Loops

    Adding a drum loop on top of a programmed MIDI beat is a quick way to give it a more fluid, natural sound. Think of the MIDI clip as the base of the beat, and the loop as the ornamentation. Unfortunately, Drum Rack and Impulse can’t warp samples, so unless the loop that you’re using was recorded at the same tempo as the track you’re making (and is perfectly in time), you’ll need to add it to a separate audio track.

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  • Make a Synth from a Sample

    All sounds, synthesized or natural, are made up of waves. Most synthesizers produce simple, pure waveforms, while naturally occurring sounds are much messier — and more interesting.

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  • Mixing the Bass and Kick

    Because the bassline and the kick drum are the two lowest-frequency elements of your track, they’ll often end up occupying the same space...

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  • Doubling Drums

    Using two copies of the same drum sample in a beat makes the drums sound bigger and fuller. Load up a kick, snare and hi-hat into Ableton’s Drum Rack, then open the Rack’s “Chains” section. Right-click the snare drum in the list of chains and select “Duplicate.” Do the same for the hi-hat.

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  • Using Keytracking

    Keytracking changes a synthesizer’s parameters depending on which note the synth is playing. When positive keytracking is enabled for a parameter, the parameter increases for high notes and decreases for low notes

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