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Mixing the Bass and Kick

Because the bassline and the kick drum are the two lowest-frequency elements of your track, they’ll often end up occupying the same space...

The Best Drum Sample Packs for EDM (Part 1)

There are probably millions if not billions of drum samples that you can download and drop into your DAW’s drum machine. The depth and availability of these sounds is amazing, but it makes sorting through the billions of samples to find the best ones a bit tough. Here are, in our opinion, five of the best drum sample packs for producing house, drum ‘n’ bass, electrohouse, hip-hop, and trance.

How to Synthesize Risers

Whooshing risers act as punctuation within a track, signifying the end of one section and the beginning of the next. The simplest kind of riser is just a white-noise generator run through an automated filter.

The Best Drum Sample Packs for EDM (Part 1)

There are probably millions if not billions of drum samples that you can download and drop into your DAW’s drum machine. The depth and availability of these sounds is amazing, but it makes sorting through the billions of samples to find the best ones a bit tough. Here are, in our opinion, five of the best drum sample packs for producing house, drum ‘n’ bass, electrohouse, hip-hop, and trance.

Make a Formant Filter

Formant filters (loosely) simulate the characteristics of the human voice. When a formant filter is set to the letter “E,” for example, it emphasizes the frequencies contained in the “E” sound...

Using Keytracking

Keytracking changes a synthesizer’s parameters depending on which note the synth is playing. When positive keytracking is enabled for a parameter, the parameter increases for high notes and decreases for low notes

Using Drum Loops

Adding a drum loop on top of a programmed MIDI beat is a quick way to give it a more fluid, natural sound. Think of the MIDI clip as the base of the beat, and the loop as the ornamentation. Unfortunately, Drum Rack and Impulse can’t warp samples, so unless the loop that you’re using was recorded at the same tempo as the track you’re making (and is perfectly in time), you’ll need to add it to a separate audio track.

Make a Synth from a Sample

All sounds, synthesized or natural, are made up of waves. Most synthesizers produce simple, pure waveforms, while naturally occurring sounds are much messier — and more interesting.

Make a Drum & Bass Beat

Set Ableton’s tempo to around 175 bpm. Open Drum Rack and load up a kick and snare. Create a new MIDI clip, then put the kick on 1 and 1.3.3. Put a snare on 1.2 and 1.4. This rhythm is the basis of the drum ‘n’ bass beat. Load up three hi-hat samples: one short closed hi-hat and two longer open hi-hats.

Make a Formant Filter

Formant filters (loosely) simulate the characteristics of the human voice. When a formant filter is set to the letter “E,” for example, it emphasizes the frequencies contained in the “E” sound...